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AVATAR: THE WAY OF WATER. REVIEW

AVATAR: THE WAY OF WATER. REVIEW

10-01-2023

AVATAR: THE WAY OF WATER. REVIEW

From the first scenes, the film blows your mind and transfers you to the flying rocks of Pandora.

Unique details and beauty in every frame: the first Avatar looks much easier now. There's nothing to say about the graphics. At this point, the movie seems like Cameron flew to Pandora and shot the film there. The physics of the movements of objects is realistic because real objects were taken as a basis with which the actors interacted. 3D is ideally implemented and gives depth to the film in every sense.

The music in the film deserves a special mention - this is another actor, and that actor is symbolic. Cameron has been working with James Horner, a great composer, for a long time. But if Cameron is a fan of the underwater world, then Horner was a fan of the air, piloted the plane himself, and crashed. The current composer of Avatar paid tribute to the great musician - the main theme sounds almost unchanged and uses Horner's achievements in the form of memorable overflows from Troy 2004.

As for the action, everything is done according to Cameron's style, like Titanic, Terminator, of course, The Abyss. Like the latter, Avatar is about love for the world around us, the importance of preserving ecosystems, and human responsibility for the world around us. And when a person neglects his duties, the world also becomes cruel.

And there are unexpectedly violent scenes in the film, for most of which Zoe Saldana Neytiri's character is responsible, a kind of angel of maternal rage. When a one-and-a-half-meter arrow as thick as the trunk of a young tree breaks through the thick glass of a helicopter and pins the pilot to the chair, you involuntarily shiver. Despite this, the film is about family, and the theme of the family is played carefully. If at the very beginning, young parents were laughing together in words about what happiness is when you have children, then the audience in the hall let out a tear at the end.

The film is fearless of timing. It is not afraid to show the world where the characters live and where we, the audience, can look through the screen window and, in 3D format, also almost touch. This, by the way, distinguished another rental record holder of 2022 Top Gun: Maverick.

We have been waiting for 12 years, but it won't be long (I hope) because the results already make us confident that there are still several parts of the biggest-budget movie series in the history of humanity ahead. The Avatar is back.

P.S. The scene with the hunt for the 'whale' is one of the most believable and violent hunting scenes in the cinema, and it's hard not to cry at the end.

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